There’s a mad rush to our days as the year comes to an end, and I know I’m not the only one feeling unmoored. I hope you’re finding ways to stay grounded, footing by little footing, amidst the chaos.
One of the tiny solaces I’ve had was to find time to read. I marked out 3 books on the theme of Snow for Stretch Your Shelf this month, and I’m hear to report back, just in case these titles might tickle your fancy, too.

WINTERING by Katherine May
Published by Penguin Random House, 2020
This non-fiction book might just be the most perfect thing to read right now, especially if you’re in a place where the weather is starting to cool and winter routines have started to sneak in.
The wintering – as a verb – which Katherine prescribes can be a balm for us all. We’re aware of changes that happen in the world around us during winter, but why do we plough through in a frenzy of overachieving and productivity, thinking that the laws of nature do not apply to us modern humans? She writes, ‘Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer … Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs.’
The book is a memoir arranged from the Indian summer of September ending with an epilogue in March. As she marches, chapter by chapter, through the coldest northern hemisphere months, Katherine describes the necessity of storing for winter, the vitality (and perils) of being ‘in sauna’, the spookiness of Samhain, the wolfish hunger and dormouse dreams, and how supping on soup in the land of the reindeers made her cry. I loved how the revelations in her own life were richly supplemented by well-researched anecdotes, analysis and interviews. It’s the kind of non-fiction that leaves me enlightened and so warmly uplifted at the same time.
Katherine argues that not only is wintering natural, the misconception that we can ‘skip’ it is detrimental in the long run. ‘Doing those deeply unfashionable things – slowing down, letting your spare time expand, getting enough sleep, resting – is a radical act now, but it is essential. This is a crossroads we all know, a moment when you need to shed a skin. If you do, you’ll expose all those painful nerve endings and feel so raw that you’ll need to take care of yourself for a while.’
I should add here that while Katherine employs snowy anecdotes to put her points across, you don’t only ‘winter’ (verb) with the weather. This act of slowing down and being still while recuperating and growing anew happens with certain life’s events, regardless of the time of year. It can be illness, loss, sadness. ‘If we won’t allow ourselves the fundamental honesty of our own sadness, then we miss an important cue to adapt. We seem to be living in an age when we’re bombarded with entreaties to be happy, but we’re suffering from an avalanche of depression. We’re urged to stop sweating the small stuff, yet we’re chronically anxious. I often wonder if these are just normal feelings that become monstrous when they’re denied.’
And the writing is beautiful. Prose upon prose of craft that I can curl up to for days. Many, many big, profound life-lessons-type phrases – the type you underline, twice – as well as my personal favourites, her delectable descriptions of a her cats changing coats in November, the robin’s cheering song, and this one of a sleeping dormouse: ‘a ball of yellow fur about the size of a walnut – round, compact, its tiny pink feet tucked into its belly, its ears pressed back and its black-tipped tail folded over its head as if to tie the whole arrangement in place.’
It’s definitely a gorgeous title to gift and to keep, or order two when you can 🙂
It was a happy coincidence that I chose Wintering as one of my core titles this month. I had initially planned to read – or re-read – a work of fiction. The Tenderness of Wolves by Stef Penney, Smilla’s Sense of Snow by Peter Høeg, Burial Rites by Hannah Kent, Cold Enough for Snow by Jessica Au were on my shortlist, and recommended for different flavours of reading.

WHICHWOOD by Tahereh Mafi
Published by Dutton's Childrens Books, an imprint of Penguin Random House, 2017
Speaking of happy coincidences …
It’s Yalda night as I send this out – the winter solstice and longest, darkest night of the year. Yalda is celebrated in countries like Iran, Afghanistan, Azerbaijan by families gathering around endless pots of tea & reddish food like pomegranates, watermelon and persimmons to read classical poetry into the night.
It also happens to be the setting of the middle grade fantasy by one of the most evocative storytellers I’ve read. In fact, the book starts just a couple of days before Yalda, and Whichwood is already gripped by winter and while the townfolk are buzzing in anticipation, our heroine, Laylee, could not be more miserable.
Living alone at the outskirts of town (and society), Laylee Layla Fenjoon is the last remaining mordeshoor. She cleans the dead – a horrendous task that involves dragging bodies into a big tub, scrubbing them thoroughly and hanging them to dry – and has the responsibility to see them into the afterlife. A mordeshoor’s powers are inherited, and this burden is Laylee’s alone ever since her mother died and her father went mad with grief.
Enter Alice and Oliver, unwanted visitors from Ferenwood who are on their own magical mission to help Laylee somehow. (Their story story had unfolded in Furthermore, the novel preceding Whichwood) Except they’re not entirely sure how or why, which earns an understandably icy reception from the totally burnt out and depressed 13-year-old mordeshoor. In other words, they were in for a ride.
This book is a spectacularly spooky read full of ancient magic, bizarre characters and heart-thumping twists. I also love that Tahereh has set in a town called Whichwood a story that is so undeniably Persian. From the name of the character, to mentions of samovar, saffron, pomegranates, the magical embellishment of the mordeshoor, and the heralding of Yalda. And yes, even some Farsi, in a poem by Rumi emblazoned on Laylee’s mordeshoor’s helmet.
And for a story centered around death, Tahereh still manages to surprise us with a few unexpected fatal threats, making us hope and cower and weep as we read on, waiting for the story to unfold.
And of snow:
‘It was turning out to be a brisk, frenetic winter day. Diagonal hail has crossed with horizontal snow, fading sunlight slanted through frost sleeping on slender branches, and the fresh, rushing roar of half-dozen waterfalls rumbled in the distance. The afternoon was gently melting into evening and in an effort to change the hour, the sun had stepped down to let the moon slip by.’
Happy Yalda, everyone!
Winterscapes are an unsurprising choice for fantastical stories, incredible adventure and a bit of dystopia. If you want to explore more middle-grade and YA titles that will chill you to your core, I highly recommend Tarin of the Mammoths by Joanne Sandhu, The Snow Laundry by Mette Jakobsen, The Call of the Wild by Jack London, and His Dark Materials Trilogy by Philip Pullman and the Song of Ice and Fire by George R.R. Martin – a solid haul which will give you mammoths, huskies, armoured polar bears and direwolves!

TEN WAYS TO HEAR SNOW by Cathy Camper and Kenard Pak
Published by Kokila, 2020
This picture book is a delight. It’s soothing, it’s introspective, it’s the sounds AND the hush of snow that you can cherish on your shelves no matter the season.
Lina wakes up to a world that is white and bright after last night’s blizzard. It’s grape leaf day, which is a good excuse to check on Sitti whose eyesight has been getting worse. They were going to make warak enab together. She heads out and notices that ‘the sounds were softer, but the noises were clearer.’

The imagined dampening of one sense (Sitti’s failing sight) in order to heighten the awareness of another (Lina’s hearing) is very cleverly done. As she makes her way across town, Lina counts the different ways to hear snow. There are scrapes, snyeks, ploompfs, stomps, drips and more en route to Sitti’s elderly accommodation.
Lina tells her grandmother about the 9 sounds she heard while they roll lamb and rice into grape leaves, and finally, they step outside together to listen to the 10th.
Cathy’s writing rolls off your tongue, inviting you to sound out each onomatopoiea, and delighting also in the sprinkling of Arabic words – Sitti, yalla, habibti, warak enab. Just as elegant are Kenard’s illustrations – the muted palette of the warm browns of houses and the fawns and pale blues of jackets are unintrusive against the snow, allowing the reader to feel utterly immersed in the landscape. His gentle outlines really suit the narrative and I love the way his characters are drawn, whether mid-action in snowball fights or still and listening to the hush of the snow.
It’s always hard to choose just ONE picture book when I have love for so many, so I’ll be following up with a list of comp titles, with more detailed discussions of words, art and all things story-telling for all my fellow picture book enthusiasts!
Back to you! Which of these chilly reads did you enjoy, and what other titles would you like to share? Pop your thoughts, critiques, recommendations and favourite hot chocolate recipes in the comments ❄️